Saint James Films acquires International Rights to Supernatural Thriller, ‘Nightscape’

 

Nightscape poster

 

Mike the Pike Productions, Inc. ($MIKP) subsidiary, Saint James Films, LLC (SJF) is pleased to announce that it has secured the International distribution rights to David W. Edwards’ supernatural thriller, ‘Nightscape’ .  The film hits worldwide markets at next week’s Cannes film market (Marché du Film 2013) via our distribution partner TomCat Films, LLC. The deal includes a 50% equity stake in net sales for SJF.

We are thrilled to license this property as part of our offerings at this year’s Cannes. It’s a fast ride filled with visual effects and plot laid out nicely over an energetic electronic score.

SJF will be represented by TomCat at the world’s largest film market this month with Nightscape and 11 other titles including Lizzie Borden’s Revenge, Attack of the Jurassic Shark, Captain Battle, etc.  The Company has also partnered with various producers to ensure increased volume in production on projects for worldwide distribution and an ever-increasing SJF library.  What I’m truly thrilled about is that number.  We only started producing and acquiring films in January of 2012 and just over a year later we’re looking at a dozen titles.  As this number continues to increase, we’ll soon see self-sustaining revenues for the company and inevitable momentum in company growth and brand recognition.

Mike the Pike Productions is a USOTC publicly traded feature film, television and graphic novels production company currently working on titles such as White Space and The Skin Trade, from George R.R. Martin, the world-renown author behind HBO’s Game of Thrones.  It is currently trading in the Grey Market and we’ve secured a market maker in Southern California that has filed a Form 211 with FINRA toward reinstatement to the Pink Sheets. The process hasn’t exactly been smooth sailing, but it’s overall encouraging to see that our market maker is optimistic regarding our potential for reinstatement.  Our last submission to FINRA included LOIs, Contracts, emails, service agreements, letters of explanation and then some, substantiating each and every claim and statement made via press release by the company since early 2010.

It’s quite a bit to go through and was initially reviewed by our market maker’s compliance department prior to submission around 3 weeks ago.  My hope is for a timely response there, but there’s no indication as to when they will answer and if that answer will be final or a request for more information.

That said, we will be making regular announcements via blog or press release until that decision and hope that shareholders will follow us on Facebook:  www.facebook.com/MTPfb for frequent updates as company social media has now been deemed acceptable by the SEC as a dissemination portal for company information.

Microbudget surge yields big profits (VARIETY)- Charles Newberry

Though Argentina has an enviable system for state film-financing, now copied around Latin America, money remains tight, and the doling out of credits and subsidies can take years. Most of the country’s annual 100-feature output begins out-of-pocket, financed by sideline businesses in commercial and TV production or the proceeds of prior releases until a finished film can start fetching coin from festival screening fees and exhibition.

Even then, a profit is not guaranteed, despite the fact that Argentina is the busiest production market in Latin America. Production is brisk largely because of a “no matter what” attitude gleaned from years of economic crises.

“We are used to working in a crisis, and this is a source of creativity,” says Natalia Smirnoff, director of “Puzzle.”

In response, new production and exhibition models have emerged to make a profit, sometimes paying off quite handsomely.

For example, while international horror franchises (such as “Saw”) have earned a loyal following, Argentine attempts at the genre have been relegated to DVD for decades. To tap the full B.O. potential of horror pics, Pampa Films, a leading genre producer, boarded “Cold Sweat” with horror experts Paura Flics — a venture that is paying off.

The film, which earned $500,000 domestically on its release early this year, recovered its $250,000 production budget and P&A costs, paving the way for profits in subsequent sales to foreign markets, DVD and TV, says Hernan Moyano, a producer at Paura.

The model is underpinned by low-cost production, a well-practiced art in Argentina.

“You have to be very ingenious and squeeze as much as possible out of your tools,” says Moyano, who has made horror movies for as low as $6,000. The approach allowed Paura to shoot “Sweat,” a gory kidnapping tale, in 19 days (less than the low-end 25-day average).

And the strategy is crossing over to other genres.

“You have to make a film so it has as little debt as possible when it is finished,” says Ignacio Rey, who produced the low-budget fest fave “La Tigra, Chaco” at Sudestada Cine. That film started recovering its $250,000 outlay from screening fees at festivals, which brought exposure for international distribution deals ranging from $4,000 to $25,000.

Back home in Argentina, however, Rey opted for an eight-month alternative run at indie theaters, with four to five screenings per week, a strategy that grossed $5,000 on 10,000 ticket sales. A traditional commercial release would have snared the same audience in a week before the film got dropped, Rey estimates, but even if he’d earned $20,000 from the same number of admissions, it would have left him with a $30,000 debt after the $50,000 outlay in prints and marketing.

The profit potential is reviving an interest in low-budget filmmaking, with crews multi-tasking and cramming to slim budgets by 40%, says Hernan Musaluppi of Rizoma Films, a producer of Rodrigo Moreno’s “A Mysterious World.”

“There has been a revival of working hard on low-budget films with fewer people because you make more money,” he says. “It isn’t necessarily true that if you spend money you will make a better film.”

MIKP movie news! Saint James Films, LLC secures worldwide distribution with Genre Superstar, TomCat Films, LLC

Superheroes Invade Cannes – Meet with TomCat Films/ Ted Chalmers

TCLOGO
Dear Valued Customer,Cannes Film Market is coming up soon and TomCat Films LLC is bringing the superheroes! Please take a look at the new films we have below.  Then, please send us back some suggested meeting times.  We will be in Cannes May 16th through May 25th at Lerins S-14. You can also set an appoinment online by following this link: http://tomcatfilmsllc.com/marchedufilm

Superheroes at Cannes!! TomCat Films LLC has completed production on AGENT BEETLE, CAPTAIN BATTLE and RISE OF THE BLACK BAT! (Worldwide rights are currently available).

AGENT BEETLECAPTAIN BATTLE
If you would like to meet with TomCat Films at CANNES, please take a look at some of the new films we have below.  We will be at Lerins Stand: S-14

If you have not done so already please send us some suggested meeting times for CANNES, or you can set an appoinment online by following this link: http://tomcatfilmsllc.com/marchedufilm

Thank you and we look forward to seeing you in Cannes!

Sincerely,

Ted Chalmers

President/CEO

M: 1.623.476.9150

Monique Nayard

SVP, International Sales

M: +336 60 96 12 82

TomCat Films LLC

MEMBER IFTA

10645 N. Tatum Blvd., Suite 200-130, Phoenix, AZ  85028

Phone: +1-4-CHALMERS-0or +1-424-256-3770

Fax: +1-323-375-1673

Email: ted@tomcatfilmsllc.com

www.tomcatfilmsllc.com

Forward this message to a friend


SUPERHEROES AT CANNES!!


CAPTAIN BATTLE CAPTAIN BATTLE: LEGACY WAR

COMPLETED

Sam Battle follows in the footsteps of his great grandfather, a WWII super hero known as CAPTAIN BATTLE, by accepting an experimental drug while in the military. The drug turns him into a super-being with strength, agility and intelligence beyond that of a normal human. After his tour of duty he returns home to see his hometown over run by ruthless neo Nazi thugs who serve and evil mastermind known as, THE NECROMANCER. They plot to raise the Third Reich again by re-animating Himmler. Only Sam, as the new Captain Battle, can save them!


Agent Beetle

AGENT BEETLE

COMPLETED

A rookie cop (Daniel Lavigne “The Immortals”) goes undercover at a drug company and poses as a criminal in order to get the information on a program that gives convicted felons superpowers. With his reporter ex-girlfriend (Emanuelle Carriere “Jurassic Shark”) on his trail, he must use his newly acquired powers to stop the program and bring its powerful convicts to justice.


Rise of the Black BatRISE OF THE BLACK BAT

COMPLETED

In a City where crime rules supreme, District Attorney Tony Quinn has the scales of justice stacked against him. When a crime boss has Tony blinded by acid, it seems that crime has won for good. But through a miracle of modern science, Tony is given the ability to see in the dark like a bat. Tony Quinn takes the guise of the Black Bat to see to it that crime pays and that the scales of justice are balanced once more.

Website and Trailer


IRON SOLDIERIRON SOLDIERCOMPLETED

A robot created by the military falls into the hands of a group of mercenaries. It’s up to the son of the man who created the robot to stop the mercenaries before they sell the robot to a foreign power.

Website and Trailer


AMAZING BULKTHE AMAZING BULK

COMPLETED

The Bulk goes on a rampage through the city, destroying everything in his path. Hank is caught by a relentless detective, imprisoned by Darwin, and forced to battle the sadistic Dr. Kantlove, who threatens to blow up the moon with his arsenal of weapons.



ABOUT TOMCAT FILMS LLC

Arizona based TomCat Films LLC was formed in 2007 by a financing entity to produce low budget films for the world market. All of its productions have been profitable.  Recently released productions include METAL MAN, ALICE IN MURDERLAND, and STAR QUEST: THE ODYSSEY. BLOODY MARY 3D is scheduled to be released in the U.S. later in 2011.

Ted Chalmers

At TomCat Films we will specialize in offering highly marketable films for your territory. We will also utilize state of the art technology to make the experience of buying and delivering films as simple and transparent as possible.  Please email me for details.ABOUT TED CHALMERSThe company is headed by sales and distribution veteran Ted Chalmers. Mr. Chalmers has been a film and TV executive since 1990. He has been involved with the sales and distribution of such well-known films as THE TEXAS CHAINSAW MASSACRE, TEXAS CHAINSAW MASSACRE: THE NEXT GENERATION, HELLRAISER, ESCAPE FROM NEW YORK, ONE FALSE MOVE, RE-ANIMATOR, BRIDE OF RE-ANIMATOR, SOCIETY and EVIL DEAD 2.

Monique Nayard

ABOUT MONIQUE NAYARD

Monique R. Nayard established her career over 20 years ago and has successfully worked in both international film and television distribution.  In the most recent years, Monique has been working as a Sales Executive with Moving Pictures Film & TV, which recently became ICAP Media.  Her prior engagements included sales for Strategic Film Partners, Sandra Carter Global, Katapult and Shoreline.

Our website will feature regular updates of new films available for your territory.  Please sign up to receive special access to our screening room (more titles coming soon) where you can watch full length screeners online.

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MIKP's SAINT JAMES FILMS COO/PRESIDENT, TED CHALMERS at the TomCat Films booth 2012 Marche du Film Cannes!


Thanks for all the hard work, Ted. Like Captain Battle- you, too, are a Saint James Superhero!
DVD rights in Germany!

Werewolves, Superheros and Reduced Authorized Share count!

Okay so the first two may or may not exist, but it is 100% fact that Mike The Pike Productions has filed to reduce its Authorized share count by nearly 50% as announced on tonight’s exclusive call with www.stocktraderstalk.com.

LISTEN TO THE INTERVIEW RIGHT HERE ON MTP!

[youtube http://www.youtube.com/watch?v=wsHQnPdizaM]

If you are a shareholder of MIKP- you definitely should listen to this interview! Along with the reduced share count in OTC:MIKP, listeners/viewers were granted exclusive access to information on White Space, George R.R. Martin’s The Skin Trade, Captain Battle and everything that is Mike The Pike Productions– from sales and revenues potential, operational benchmarks set for aggressive reduction in liabilities, share buybacks with film revenues and so much more!   As well, shareholders were granted a sneak peek at the trailer for subsidiary Saint James Films’ ‘Captain Battle: Legacy War’ which is currently selling rights like hotcakes to international markets at this year’s Marche du Film 2012 at Cannes!   I am confident that real investors will be very pleased with our actions moving forward and we’re thankful for all those that are part of Mike The Pike!

Best,

Mark B. Newbauer